Artistic research explores, questions, and redefines art’s role and impact within broader societal contexts.
 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 
 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌   ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 

Bekijk de webversie.

Dear reader, 



Artistic research explores, questions, and redefines art’s role and impact within broader societal contexts. Encounters in Artistic Research invites you to enter an open space where curious minds converge to shape the field in unexpected ways. Whether you want to explore artistic research as a ‘love practice’ during the first day or are eager to learn more about how to navigate between making, writing, and thinking on the second day – you will encounter imaginative and unexpected intersections between theories and practices, works of art and research. 



Anke Coumans 


Ann-Sophie Lehmann 


Jan van Boeckel 



This overview of the program is subject to change. You can choose to attend either one or both days. 

 

Day 1 - 26 Sept: A Love Practice 



For: Anyone interested in artistic research taking place within and around Minerva Art Academy 



On the first day the focus is on artistic research as a "love practice", emphasizing openness, vulnerability, and trust, akin to love. This perspective will guide the encounters that will take place on this day on the key themes of art and care, art and technology, and art and rural areas. New insights on artistic research methods such as autoethnography, body-centered research, and material-based research will be shared. 


Opening: Anke Coumans will discuss how love is an integral element in the artistic practices of PhD candidates Linde Ex and Luuk Schröder. 


Films: 


    ‘Not Knowing’ shows an event that took place in an abandoned swimming pool and was organized by the Artistic Research Community in the North. Participants explored what it means and takes to enter in a state of total openness and vulnerability in a swimming pool. 

     
‘I See, I See’ is about how working with people with dementia has influenced the practices of artists that were involved. 


Lectures: 


    Connecting Offline and Online Identities in Research, by Judith van der  Elst. 

    Artistic Research in Urgent Times by Jan van Boeckel. Nigerian thinker Bayo Akomolafe has the following paradoxical advice: “The times are urgent, let’s slow down.” This talk will explore this suggestion in the context of doing artistic research in an age of ‘global weirding’ and biodiversity collapse.  


Exhibitions and installations: 


    By students, curated by Augustin Martinez Caram as part of his Professional Doctorate trajectory and an presentation of artistic research by Noor Nuijten, Barbara Rink, Luuk Schröder and Margriet van Weenen.  


Workshops: 


    The Role of Art in Care 

    The Role of AI in Education 

    Art, Philosophy and Community 

    Materiality and Embodiment in Studying Making 

    The Autoethnographic Turn 


Installation: FMI (master) students Moojan Payami, Anna Musikhina, and Mona Schöller, present their final works on how AI influences their artistic practices. Curated by Agustín Martínez Caram. 


Keynote: Norwegian lecturer and playwright Tale Næss will deliver a keynote lecture at Minerva Art Academy entitled ‘Artistic Research as an Event: The Feedback Loop as a Method’. 


Performance: The program of this day will come to a close with the performance of The Kiribati Notes at the Prins Claus Conservatoire (PCC). This drama piece explores authorship and climate change issues, wich will be presented by an artistic collective consisting of alumni and students from Nordic Black Xpress, Minerva Art Academy, and PCC. The Kiribati Notes is in collaboration with lecturers Michiel Jansen and Jan Ruerd Oosterhaven. 


  

 

Day 2 – 27 Sept: Making Thinking Writing 


A Day About Writing and Publishing Artistic Research 


For: Anyone interested in the theme of an Artistic PhD and the writing process it involves. 


With: The PhD candidates in the Artistic PhD Program of the University of Groningen & Hanze University of Applied Sciences, and their international partners: University of the Arts (Bremen), and University of the Free State (Bloemfontein, South Africa). 


During this day, artistic PhD candidates reflect together on how to write about their research. They share experiences and practices, pose questions, and formulate ambitions through public dialogues. Researchers with experience in artistic PhD research respond. 


Introduction + moderation: Jan van Boeckel (Hanze), Ann-Sophie Lehmann (RUG) 


Respondent: Imogen Humphris (Hanze) 



Dialogues and Monologue: 


    The Last Makers // Engaging with Technologies by Catelijne van Middelkoop & Adri Schokker 

    Expanded Semantic Levels in Fashion // Unlearning Photography: Listening to Cyanobacteria by Harm Heye Coordes & Risk Hazekamp 

    Sonic Treasures of the Sun // Streams of Resistance by Icaro Lopes de Mesa Moyano & Victor Artiga Rodriguez 

    Re-Sensing Electronic Waste Through Artistic Practice // Ethics and Compositional Responsibility Behind the Use of Colonial Phonograph Recordings by Luuk Schröder & Christian Rosales Fonseca 

    Artmaking, Working, and Working Through (online) by Lyrene Kühn-Botma 

    Approaching Subtle Otherness // Wibbly-Wobbly Symbol, Touchy-Feely Space by Linde Ex & Dawoon Park 

     


Epilogue with closing remarks by Tale Næss, followed by drinks. 

 

Practical Information 


When: 

Thursday September 26th, 2024, 9.00 AM – 8.30 PM 

Friday September 27th, 2024, 9.00 AM – 5.00 PM 


Where: 

Minerva Art Academy 

Preadiniussingel 59 

Groningen 


Prins Claus Conservatoire 

Meeuwerderweg 1 

Groningen 


Entrance: Free of charge 



Register here